Jessica Moss – “Particles” (CD Preview)

Jessica Moss.

 

On October 25th, Constellation Records will release Entanglement, the second solo release by Jessica Moss. A violinist and vocalist who is one of the central members of Thee Silver Mt. Zion Memorial Orchestra and co-founder of Black Ox Orchestar, Moss draws upon a prodigious range of influences: from the post-rock and avant-klezmer of the aforementioned groups, to drones and loops reminiscent of post-minimalism. Over the past year, she has honed the material of Entanglement at over eighty concerts, developing a side-long piece, “Particles,” and a suite of four “Fractals.” Impassioned, moody, and slow-burning, her compositions are some of the most compelling fare we have to anticipate this Fall.

 

RIP Robert Mann (1920-2018)

Robert Mann

Saddened by the death of Robert Mann. A founding member of the Juilliard String Quartet, Mann was its first violinist for decades as well as a master teacher and composer: his melodramas are memorable pieces. Countless quartets benefited from his guidance.

Mann was one of the finest musicians I ever encountered. I am truly glad that he was active during my time at Juilliard.

Charlotte Bray: “At the Speed of Stillness”

At the Speed of Stillness

Charlotte Bray

NMC Recordings CD NMC D202

Claire Booth, soprano; Lucy Schaufer, mezzo-soprano; Alexandra Wood, violin; Andrew Matthews-Owen, piano; Huw Watkins, piano; Aldeburgh World Symphony, Sir Mark Elder, conductor; Birmingham Contemporary Music Group, Oliver Knussen, conductor

 

Charlotte Bray’s music displays steely determination and an expansively colorful textural palette. Her NMC portrait CD supplies an abundant view of these characteristics. The title work is particularly impressive; it is filled with piquant yet often spacious harmonies, frequent juxtapositions of orchestral groupings, and lithe pacing.

Mezzo-soprano Lucy Schaufer approaches Fire Burning in Snow, settings of poems by Nicki Jackowska, with clear diction and an emotive presence. Likewise the players from the Birmingham Contemporary Music Group give detailed precision to the work’s angular intervals and supply intensity to the nuanced dynamic shadings found in the accompaniment. Soprano Claire Booth, ably accompanied by Andrew Matthews-Owen, brings expressiveness and considerable beauty of tone to Songs from Yellow Leaves, settings of Caroline Thomas’s poetry. 

Pianist Huw Watkins pulls double duty on the CD, deftly inhabiting the alternately shimmering, sprightly, and strenuous atmospheres of the solo work Oneroi. There are far more episodes possessing the latter demeanor in the piano concertino Replay. However, the variety of timbres found in the chamber ensemble’s accompaniment keeps the work from becoming overwrought. Explained in part by its title, the piece also contains considerable motivic repetition and development: an attractive addition to Bray’s arsenal of resources.

The two-part chamber concerto Caught in Treetops is similarly endowed with an enriched template of motives, ranging from repeated note flurries to widely spaced arcing lines. The work begins with a cadenza, introducing sterling soloist Alexandra Wood, a versatile and formidable violinist. Only gradually is the chamber ensemble invited in, filling the gaps with contrapuntal lines and forceful tutti. While Bray’s language remains primarily a chromatic one, Part Two of Caught in Treetops contains the addition of some beautiful, delicately announced harmonic verticals. The gentle close of the piece provides a perfectly enigmatic twist to the CD’s program, leaving one eager for more from this talented composer.

 

Thursday: Sarah Plum at Spectrum

Sarah Plum

On Thursday, June 25th at 7:00 PM, violinist Sarah Plum plays a concert at  Spectrum (121 Ludlow Street, NYC). Tickets are $15 ($10 for students and seniors) and are available at the door.

Plum, a new music specialist, has two CDs coming out on July 14th, both on the Blue Griffin imprint. On the first, joined by Timothy Lovelace, she presents the first volume in a projected series of music for violin and piano by Béla Bartók. The second is a CD of new music, concertos by Sidney Corbett and Christopher Adler.

On her gig at Spectrum, Plum plays works by both of the aforementioned living composers, as well as pieces by Charles Nichols and Mark Engebretson. Her program features both pieces for violin and electronics and violin and piano. She is abetted by pianist Francine Kay. Below, you can check out a video of a work on the program, Nichols’s Il Preto Rosso for violin and interactive electronics. Plum repeats the Nichols at New York City Electroacoustic Music Festival on June 26 at 4:00pm ( info at nycemf.org).