Neosho’s latest video, “Time Traveler,” is part of the composition process itself. Using an Ableton patch that responds to visual images as part of the arrangement, they have created dizzying audio and video. Programming isn’t all that’s there however; there are also jocular vocals and a sax solo that could be teleported from the mid-80s. Time travel indeed.
The band’s LP Borderline is out now.
David S. Ware and Matthew Shipp
Live in Sant’Anna Arresi 2004
AUM Fidelity CD 100
Tenor saxophonist David S. Ware passed away in 2012, and he is sorely missed on the ecstatic jazz scene that he was pivotal in creating. While Ware’s discography is extensive, AUM Fidelity has released one more recording, Live in Sant’Anna Arresi 2004, which presents the saxophonist in an entirely different context: a duo setting with longtime collaborator pianist Matthew Shipp. Given their close and longstanding association, it would at first seem improbable that this was their only duo outing. Thus, all these years later, it is a gift to have it available for posterity.
While both Ware and Shipp were able to improvise comfortably in many settings, they knew each other’s musicality intimately: there is an almost telepathic connection between the two that is demonstrated here. An example: While many pianists would need to be careful to stray clear from a saxophonist’s main registers, Shipp is able to navigate close-knit counterpoint with Ware, often in the lower octaves, that never swamps or constrains his lines. Rather, it seems to exhort even more power from Ware’s solos. Nor is Shipp an accompanist to the saxophonist; he is an equal partner in shaping the musical narrative, at turns propulsive and reflective.
The two main selections of the date are titled “Tao 1” and “Tao 2.” This is entirely appropriate, as the yin and yang of ecstatic jazz discourse, the kinetic and the lyrical, are both present in these wide-ranging essays. The shorter “Encore” distills fervent energy that unleashes like a coiled spring, bringing the concert to a rousing conclusion. It is somewhat bittersweet to realize that there won’t be any more opportunities to hear these musicians in a duo context; it is still hard to believe that Ware is gone when his spirit looms so large in the ecstatic jazz milieu. Live in Sant’Anna Arresi 2004 is a moving and engaging release that is among AUM Fidelity’s finest to date. Recommended.