Sara Gazarek & Josh Nelson: “Blackbird”

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Vocalist Sara Gazarek teams with pianist Josh Nelson on the forthcoming recording Dream in the Blue (Out 8/5/16). Below is a video of their performance of a medley of the Beatles’ “Blackbird” and the jazz standard “Bye Bye Blackbird.”

 

Upcoming Tour Dates:

August 1 / Birdland / NYC*

August 12 / Blue Whale / Los Angeles, CA

August 17 / Mezzrow NYC / NYC

August 26 / Triple Door / Seattle, WA

September 3 / Riverfront Jazz Festival / Stevens Point, WI

September 4 / Fox Jazz Festival in / Wenasha, WI

*notes full band performance w/o Josh Nelson

Program for 5/28 Concert

Hope to see some of you tomorrow at 5 PM at the concert being given at All Saints Church in Princeton. Five world premieres in one show – what joy, what luck!

Program

*All selections composed by Christian B. Carey, unless otherwise noted

Spiritual Variations I & II

Tom Colao, organ

Je suis aimé de la plus belle Text by Cle ment Marot

Sara Noble, soprano

Selections from Nocturnes Composed by Cortlandt Matthews

i. on a particularly clear night

ii. a streetlight manifesto

iii. a Mulder meditation

Jessica Moreno, mezzo-soprano and Sergey Tkachenko, piano

He Wishes for the Cloths of Heaven Text by W.B. Yeats

Fiery Sunset

Psalm 103

Megan Ihnen, mezzo-soprano and Graeme Burgan, piano

Thomas Cunningham, piano

Megan Ihnen, mezzo-soprano and Sara Noble, soprano

-intermission-
Anniversary

Lullaby

Reunion

Solo 2

From Blue Symphony Text by John Gould Fletcher

Lullaby Vocalise

Thomas Cunningham, piano

Ian Good, piano

Sara Noble, soprano and Graeme Burgan, piano

Three Kenyon Settings Text by Jane Kenyon

Song

Otherwise

Let Evening Come

Megan Ihnen, mezzo-soprano and Graeme Burgan, piano

Hymn: Add one more seat to the table Text by Kay Mitchell

*All are invited to join in the singing of this hymn*

Michael Mizrahi’s “Currents”

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Currents

Michael Mizrahi, piano

Works by Sarah Kirkland Snider, Troy Herion, Mark Dancigers, Asha Srinivasan, Missy Mazzoli, and Patrick Burke

New Amsterdam CD/DL

Pianist Michael Mizrahi’s sophomore album Currents is out this week via New Amsterdam Records. Below is the considerably charming video introduction to the release, featuring  excerpts from Troy Herion’s Harpsichords. 

 

The title track, by Sarah Kirkland Snider, is a real standout. It adroitly covers a wide swath of both emotional and technical terrain. Thus, it is an ideal solo vehicle for Mizrahi, a pianist who clearly treasures this collection of works, each one filled with abundant variety. And the way that he plays them, he’s likely to make many listeners treasure them too.

 

 

 

 

R. Andrew Lee Plays Paul A. Epstein (CD Review)

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Paul A. Epstein Piano Music

R. Andrew Lee, piano

Irritable Hedgehog CD/DL

 

Prior to this recording, composer Paul A. Epstein was not a name known to me. There are so many vital creators out there that one must continue to search for them. Thankfully, R. Andrew Lee has recorded this disc for Irritable Hedgehog. It presents eight of Epstein’s compositions for solo piano: a delightfully diverse and stimulating collection.

In Will Robin’s excellently annotated liner notes, he points out that Epstein doesn’t fall neatly into the minimalist category. His interest in Sol LeWitt, Philip Glass, and Tom Johnson notwithstanding, there are processes afoot in Epstein’s music that share an affinity with modernism. Thus, we hear motoric passages brushing up against piles of dissonance and non-tonal canons. Some processes of pitch and rhythmic manipulation demonstrate an awareness of serial approaches: Robin quotes post-minimalist composer and author Kyle Gann, who likens Epstein to “the Milton Babbitt of minimalism.”

Lee performs this challenging music nimbly, with extraordinary verve and impressive rhythmic accuracy. The pianist has steadily expanded his reach to include many composers from seemingly all corners of experimental music. While one savors this recording, it is also exciting to contemplate what Lee will come up with next.

 

 

 

 

1/10: Jenny Q. Chai at LPR (Concert Preview)

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Pianist Jenny Q. Chai is a versatile artist. Her repertoire includes works by contemporary Europeans such as Phillipe Manoury and Marco Stroppa (her dissertation topic), and she recently recorded an excellent portrait CD on Naxos of music by Nils Vigeland. She also performs standard repertoire, such as Robert Schumann and Claude Debussy.


On January 10, in a program entitled Where is Chopin? (subtitled “Steampunk Piano 2”), Chai creates a juxtaposition of Carnaval by Schumann with brand new pieces that feature artificial intelligence, performing the music of Jaroslaw Kapuscinski, a Stanford University-based composer who uses the AI program Antescofo. It supplies a live visual component that responds to the particular nuances and inflections of a given performance. Doubtless Chai will give the program plenty to think about.