Caroline Shaw – Orange (CD Review)

Caroline Shaw – Orange

Attaca Quartet

Nonesuch/New Amsterdam CD

Winner of the Pulitzer prize in 2013, Caroline Shaw has been a busy musician in the years following, performing as a vocalist with Roomful of Teeth (which recorded her prizewinning work Partita), violinist with ACME, and recording with Kanye West (yes, that Kanye West!). Shaw’s versatility and abundant creativity has kept her in demand for new commissions. Despite all this, Orange is the first portrait CD of her music. It is the first recording in a new partnership between Nonesuch and New Amsterdam Records. Given her own string instrument background, it seems especially appropriate that the CD contains chamber works performed by the estimable Attacca Quartet.  

Shaw frequently evokes the work of earlier composers in her own music, with snippets reminiscent of Beethoven and Bach in Punctum, Dowland’s consort music in Entr’acte, and Purcell in Ritornello 2.sq.2.j.a. But this channeling of the past never feels like pastiche or ironic critique. The composer’s juxtapositions instead seem celebratory in character. The adroit deployment of a plethora of styles, from earlier models to the postminimalism, totalism, and postmodern aesthetics of more recent music accumulate into a singular voice; one buoyed by keen knowledge of the repertoire and flawless technique in writing for strings.

The latter quality is amply displayed in Valencia, in which pizzicato, sliding fiddle tunes, and high-lying arpeggios combine to create a fascinating, multifaceted texture. Entr’acte uses a lament motive as its ostinato, building from a simple descending chord progression to rich verticals and, later, plucked passages redolent in supple harmonies. Punctum builds rich chords to contrast repeated notes and undulating repetitions.

Plan and Elevation is a multi-movement work that celebrates gardens, “the herbaceous border” that outlines them, trees, and the fruit that they bear. These pastoral images inspire some of the most beautiful and expansive music on the CD. Once again, a descending minor key ground is a significant part of the piece’s organization, appearing in multiple movements.

The album’s closer, Limestone and Felt, is a one-movement miniature for viola and cello, combining pizzicato, percussive thumps on the bodies of the instruments, and several canons. It serves as an excellent encapsulation of the simultaneous joy and rigor that embodies so much of Caroline Shaw’s music.

  • Christian Carey

Michael Mizrahi’s “Currents”

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Currents

Michael Mizrahi, piano

Works by Sarah Kirkland Snider, Troy Herion, Mark Dancigers, Asha Srinivasan, Missy Mazzoli, and Patrick Burke

New Amsterdam CD/DL

Pianist Michael Mizrahi’s sophomore album Currents is out this week via New Amsterdam Records. Below is the considerably charming video introduction to the release, featuring  excerpts from Troy Herion’s Harpsichords. 

 

The title track, by Sarah Kirkland Snider, is a real standout. It adroitly covers a wide swath of both emotional and technical terrain. Thus, it is an ideal solo vehicle for Mizrahi, a pianist who clearly treasures this collection of works, each one filled with abundant variety. And the way that he plays them, he’s likely to make many listeners treasure them too.

 

 

 

 

Dan Trueman: “Nostalgic Synchronic”

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Nostalgic Synchronic

Music by Dan Trueman

Performed by Adam Sliwinski, bitKlavier

New Amsterdam CD/DL

Nostalgic Synchronic, 8 etudes by Dan Trueman for bitKlavier, a “prepared digital piano,” are the program for Adam Sliwinski’s solo debut. Sliwinski’s regular gig is with So Percussion, but he makes a persuasive advocate here, dealing with the busy, microtonally altered material wrought by Trueman with facility and rhythmic incisiveness.

The recording is out now via New Amsterdam. One can download Trueman’s bitKlavier software on the project’s website.