CageConcert: an Interview with Philip Thomas

Interview: Philip Thomas Launches Cageconcert By Christian Carey Pianist Philip Thomas is a prolific artist. A member of Apartment House, he recently participated in their recording of Ryoko Akama’s compositions for Another Timbre. Also on Another Timbre is Thomas’s gargantuan CD set of piano music by Morton Feldman, which includes several previously unreleased pieces. TwoContinue reading “CageConcert: an Interview with Philip Thomas”

BMOP: an Interview with Gil Rose

Gil Rose directs the Boston Modern Orchestra Project, or BMOP. The orchestra’s in house label, BMOP/Sound, has released a spate of vital CDs of American music. I recently interviewed Rose about recordings already released on the label and a preview of the rest of 2018’s live and recorded events.   In recent years, BMOP has released several recordings thatContinue reading “BMOP: an Interview with Gil Rose”

Two New Feature Articles

Two articles I wrote over the summer are finally out. My interview with New York Polyphony has been published in the latest issue of Early Music America.  An article on mentorship in music, which includes interviews with Fred Hersch, his student James Shipp, and James’s student Ian Burroughs, has been published in Carnegie Hall’s 125th Anniversary Magazine, Beyond the Stage (read here).  

Friday: Ueno Opera at Sawdust

At National Sawdust on Friday April 7th at 7 PM, Opera Cabal presents the premiere of Ken Ueno’s new opera Aeolus. Joined by vocalist Majel Connery and Flux Quartet, Ueno performs throughout the opera. His fascinating blend of vocal techniques includes microtonal inflections, megaphone-amplified directives, and throat-singing. Electronics, video projections, and an architecturally conceived set design converge to make Aeolus a potent multimedia concoction. I recently caught upContinue reading “Friday: Ueno Opera at Sawdust”

Interview: Sofia Gubaidulina with the BSO

This week, Andris Nelsons and the Boston Symphony Orchestra visit Carnegie Hall for performances from February 28th through March 2nd. They feature the New York premieres of two works. On February 28th, Russian composer Sofia Gubaidulina’s Triple Concerto for violin cello and bayan, featuring violinist Baiba Skride, cellist Harriet Krijgh, and bayan player Elsbeth Moser,Continue reading “Interview: Sofia Gubaidulina with the BSO”

In a Nutshell: An Interview with David Smooke

On Sunday, January 22nd at 7pm at National Sawdust in Brooklyn (80 North 6th Street), composer and toy pianist David Smooke will celebrate the release of his New Focus CD Nutshell Studies of Unexplained Death. Joined by album personnel loadbang, Karl Larson and Michael Parker Harley, Smooke will also perform and improvise on the toy piano. I recently caught up with him and discussedContinue reading “In a Nutshell: An Interview with David Smooke”

Interview with Robert Morris

On September 15-18 at Spectrum, Collide-O-Scope Music begins its eighth season with a Festival celebrating the music of Robert Morris. A wide range of works will be featured, for electronics, piano, small chamber ensemble, and string quartet. In addition to Collide-O-Scope personnel, there will be guest performers, notably JACK Quartet. I recently interviewed Morris aboutContinue reading “Interview with Robert Morris”

Carson Cooman (Interview)

Interview with Carson Cooman Sequenza 21: The latest CD of your compositions, Liminal on Divine Art, features three works, a short orchestra piece, Shoreline Rune, Liminal, your Fourth Symphony, and Prism, an older work for organ. How did you decide on this grouping? Carson Cooman: A number of recordings of my music have been released,Continue reading “Carson Cooman (Interview)”