Choir of Clare College Celebrates Epiphany (CD Review)

Mater ora fillium: Music for Epiphany

Choir of Clare College, Cambridge; Michael Papadopoulos, organ; Graham Ross, director

Harmonia Mundi CD HUM907653

On the Christian calendar, tomorrow (January 6th) is the Feast of the Epiphany. There are several aspects to Epiphany. First, it is the “Twelfth Day” after Christmas, and so ends the celebrations of that merry season. Second, it is the commemoration of Jesus the Christ’s baptism by John the Baptist. Finally, in the spirit of ending a party with a magnificent and mysterious flourish, it is also commemorates the Visit of the Magi to the infant Jesus.

It is this third aspect of Epiphany that has most often drawn composers to create music commemorating the festival. On the Harmonia Mundi CD Mater ora filium: Music for Epiphany, Graham Ross presents a program of primarily sixteenth and twentieth century selections. It is Ross’s seventh such recording for HM that is based around one of the events or seasons on the liturgical calendar. Here the interested believer may find much music that, in addition to being entertaining, informs them about the history of the liturgy. However, Christian and secularist alike can enjoy the high level of musicality and sheer beauty of the voices of the Choir of Clare College, Cambridge.

The hymn singing alone, accompanied with rousing verve by organist Michael Papadopoulos, is remarkable. It includes favorites like “As With Gladness, Men of Old” and “Hail to the Lord’s Anointed,” as well as a lovely rendition of “O worship the Lord in the beauty of Holiness!” Renaissance era motets are well represented. Omnes de Saba by Orlande de Lassus is a particularly jubilant album opener. Purity of tone from sopranos and sepulchral notes from basses are on display, and carefully balanced, in Jean Mouton’s Nesciens Mater. Clarity of contrapuntal lines feature in Clemens non Papa’s Magi veniunt ab oriente and Giovanni Pierluigi da Palestrina’s Tribus miraculis ornatum. The varied tone colors brought to bear in William Byrd’s Ecce advenit dominator Dominus provide a sense of mysterious grandeur appropriate to the festival. Careful tuning of cross relations, as well as seamless alternation between the rhythms of chant and polyphony, supplies listeners to John Sheppard’s Regis Tharsis with a particularly evocative glimpse into another era’s harmonic and rhythmic sensibilities.

Balancing the early music selections are a number of fine pieces from the twentieth century. A standout is Long, Long Ago by Herbert Howells; an initially tender melody gradually rises to an exciting climax, juxtaposed with a steady buildup of added note chords. Another is Benedicamus Domino by Peter Warlock, in which an intricate swath of modal melodies is set against strongly articulated tutti chords. Despite the considerable challenges it poses, Illuminare, Jerusalem, by Judith Weir, is taken at a spirited gallop. Judith Bingham’s alluring Epiphany pits a colorful organ part against sinuous vocal chromaticism. Lennox Berkeley’s I sing of a maiden is delivered with haunting delicacy. All of this is capped off by the large-scale title work, a tour de force of choral writing by Arnold Bax.

Impressive performances throughout, combined with thoughtful programming, makes Mater ora filium the ideal recording for Twelfth Night!

Ensemble Signal Records Steve Reich (CD Review)

Steve Reich Played by Signal

Steve Reich

Double Sextet (2007) and Radio Rewrite (2013)

Ensemble Signal, Brad Lubman, conductor

Harmonia Mundi CD

 

There are several recordings out this year commemorating Steve Reich at eighty (Allan Kozinn provides more about this in an excellent WSJ article). I haven’t yet heard the LSO’s CD, but I agree with Kozinn’s assessment that both Third Coast Percussion and Ensemble Signal have provided us with stirring listening in their respective new entries into Reich’s discography.

Brad Lubman leads Signal in musically detailed and energetic performances of both of the pieces included on this Harmonia Mundi CD. The first, Double Sextet (2007), garnered Reich the 2009 Pulitzer Prize in Music. Originally composed for six musicians – the chamber ensemble Eighth Blackbird – to play against prerecorded versions of themselves, here Double Sextet is recast as a work for a dozen individual performers. Within each movement’s overall tempo, there are overlapping time strands operating at various tempi. The combination of these two factors – compositional and performative – allows for a virtuosic level of syncronization. This complexity of rhythm corresponds to the enhanced harmonic palette that Reich employs here, with many more “crunch chords” than is his usual wont.

Sure, Radio Rewrite does contain elements of two Radiohead songs: “Everything in its Right Place” and “Jigsaw Falling into Place.” Their appearances are ephemeral and one gathers that the songs’ influence is to be felt far more beneath the surface of the piece than is to be found in mere quotation; they stoke the motoric engine that buoys this energetic and engaging work.

Stile Antico Celebrates Ten Years

Celebrating ten years together, vocal ensemble Stile Antico has released the compilation Sing With the Voice of Melody on Harmonia Mundi. With works by Tallis, Gombert, Victoria, Clemens non Papa, William Byrd, and more, it is an embarrassment of riches and difficult to pick favorites. Happily, the group has recorded short videos to help you in your listening experience, each one explaining why a different piece was selected.