Tag Archives: Experimental Music since 1970

Book Review: Experimental Music Since 1970 By Jennie Gottschalk Bloomsbury, 2016 284 pp. From the very beginning of Experimental Music Since 1970, author Jennie Gottschalk lets us know that her perspective is that of a “maker,” a composer. This is instructive as to the book’s approach and to its inclusion and, in some cases, exclusion,Continue reading “Required Reading: Experimental Music Since 1970”