Maderna and Berio on ECM (CD Review)

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Now, and Then
Orchestra Della Svizzera Italiana; Dennis Russell Davies, conductor
Pablo Márquez, guitar
ECM 2485

November 17 sees the release of Now, and Then, an ECM recording of transcriptions by composers Bruno Maderna and Luciano Berio. In addition to his creative pursuits and new music advocacy, Maderna (1920-1973) was in demand as a conductor of classical repertoire. Rather than performing the instrumental music of the Italian Renaissance and Baroque eras with its original, reduced, forces, he made transcriptions of figures such as Frescobaldi, Legrenzi, Gabrieli, Viadana, and Wassenaer (all included on this CD) for the modern orchestra. They are successful arrangements, spotlighting the sonorous brass choirs that epitomize the antiphonal music of this era while deftly incorporating idiomatic passages for the other sections of the orchestra.Russell Davies leads sumptuous yet finely detailed performances of these pieces.

 

Berio (1925-2003) recreated his Sequenza XI for solo guitar as the ensemble work Chemins V (1992). It is a delirious, sensuous trope on the original, allowing the guitarist – in this case the estimable Pablo Márquez – plenty of virtuosic solo work, while responding to it with imaginative orchestral textures. Some of these serve to augment the percussive quality of the guitar, while others lengthen and sustain the pitch material, creating a haloing effect. Partway through, a thunderous climax in the percussion precedes the longest of the solo cadenzas, underscoring that this is no mere arrangement but a profound reshaping of the original.
In the United States, Russell Davies may be best known for his championing of minimalists. However, like Maderna, his catalog and duties have been widespread both in terms of repertoire and geography. Witnessing him, years ago, tackle formidably complex premieres with American Composers Orchestra, it is gratifying to hear him return to similarly intricate fare in the Berio. Now, and Then is an imaginative and finely wrought recording: recommended.

Happy 80th Birthday Philip Glass

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Photo: Steve Pyke

Philip Glass turned eighty years old today. A celebration was held at Carnegie Hall tonight, a concert by the Bruckner Symphony Linz, led longtime Glass collaborator conductor Dennis Russell Davies in the premiere of the composer’s Eleventh Symphony and Three Yoruba Songs (with vocalist Angélique Kidjo).

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In Nashville tonight, I’m not hearing any live Glass alas, but I am enjoying a brand new recording by Icelandic pianist Víkingur Ólafsson. Philip Glass – Piano Works, his debut for Deutsche Grammophon, features interpretations of the Études and excerpts from Glassworks. The Siggi String Quartet joins the pianist on some of the music, reworked to incorporate strings. Both here and in the solo selections, Ólafsson brings to bear a supple sense of phrasing and wide-ranging gestural palette. His playing stands starkly at odds with the seemingly irrepressible notion that ostinatos serve as motoric cogs in a supposedly limited minimalist vocabulary. He finds 1,000 flavors of repetition. Anyone who wants an point of entry to or refresher course on Glass’s music need listen no further than here to find bold, dramatic interpretations of his work.