Jessica Moss – “Particles” (CD Preview)

Jessica Moss.

 

On October 25th, Constellation Records will release Entanglement, the second solo release by Jessica Moss. A violinist and vocalist who is one of the central members of Thee Silver Mt. Zion Memorial Orchestra and co-founder of Black Ox Orchestar, Moss draws upon a prodigious range of influences: from the post-rock and avant-klezmer of the aforementioned groups, to drones and loops reminiscent of post-minimalism. Over the past year, she has honed the material of Entanglement at over eighty concerts, developing a side-long piece, “Particles,” and a suite of four “Fractals.” Impassioned, moody, and slow-burning, her compositions are some of the most compelling fare we have to anticipate this Fall.

 

Wye Oak: “The Louder I Call, the Faster It Runs” (YouTube)

Wye Oak’s fifth album, The Louder I Call, the Faster it Runs, will be released via Merge on April 6, 2018 (Preorder here).

Today, the band shared a teaser of the title track via various streaming platforms: a YouTube clip of the audio is below.

TOUR DATES – WYE OAK

02/16 New York, NY Symphony Space
04/06 Iowa City, IA Mission Creek Festival
04/20 Amsterdam, Netherlands Paradiso Noord
04/21 Rotterdam, Netherlands Motel Mozaique Festival
04/22 Luxembourg, Luxembourg De Gudde Wellen

 

Neosho – Fun With Ableton (YouTube)

Neosho_Borderline_Cover

Neosho’s latest video, “Time Traveler,” is part of the composition process itself. Using an Ableton patch that responds to visual images as part of the arrangement, they have created dizzying audio and video. Programming isn’t all that’s there however; there are also jocular vocals and a sax solo that could be teleported from the mid-80s. Time travel indeed.

 

The band’s LP Borderline is out now.

Bill MacKay and Ryley Walker: “Lonesome Traveler”

 

The second collaboration from alt-folk guitarists Bill Mackay & Ryley Walker, SpiderBeetleBee, will be released on October 20th via Drag City. A lovely video below of railway travel in eras past accompanies their song “Lonesome Traveler.” Another track streams, as well as ordering instructions (you will want those), via their Bandcamp page (below).

 

 

 

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Upper Wilds – “UFO”

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Last week, Thrill Jockey recording artist Dan Friel released Guitar Module 2017,  an album by his new trio Upper Wilds. Guitars rife with distortion and layered vocals populate the LP’s propulsive songs.

“UFO” is the album’s second single. It encapsulates the Upper Wilds’s approach to music-making, with the vocals interspersed with copious amounts of instrumental soloing and guitar switching back and forth between the roles of doubler and foil. Guitar Module 2017 is a versatile and compelling piece of work, likely to be appealing to hard rock and indie fans alike.

https://open.spotify.com/embed/track/6F5h9uoEF73bokNa92OFST

Upper Wilds tour dates:
Oct. 7 – New York City, NY – Alphaville w/ E
Nov. 9 – Baltimore, MD – EMP Collective
Nov. 10 – Cleveland, OH – Survival Kit
Nov. 11 – Chicago, IL – Situations w/ RLYR

Upper Wilds

 

The Clientele’s New Recording Out Friday

 

It has been seven years since The Clientele’s last recording, The Minotaur EP. On Friday, via Merge, the group releases the LP Music for the Age of Miracles. As the lead off track “Everything You See Tonight is Different from Itself” (video below) demonstrates, they return with undiminished creativity and, in this turbulent time, a refreshing dose of optimism. Arpeggiated chords begin gently, buoying hushed vocals. This is followed by sustained notes from solo electric guitar, budding layers of keyboard patterns, and a pressing mid-tempo groove that urges the vocals to soar to swooning heights. The lyric, as advertised, brings promise of comfort and support.

Lee Ranaldo – Moroccan Mountains (Video)

Lee Ranaldo phot Fred Riedel
Lee Ranaldo Photo: Fred Riedel

 

Best known for his work with Sonic Youth, in recent years Lee Ranaldo has carved out an interesting solo career. “Moroccan Mountains” is the lead off track from Electric Trim, his first LP for Mute (out 9/15/17). Check out the evocative, seven-and-a-half minute long video that accompanies the song below.