Six Organs of Admittance releases Companion Rises, their first full length in three years, on February 21, 2020 via Drag City Records. The band has shared a teaser track on various digital platforms, titled “Two Forms Moving.” Great loping rhythm guitar line here Offset by strings and overdubbed backing singers, the lead vocal is gently paced: a dash of indie meeting a slab of folk. A vibrant lead guitar solo pushes the track into effervescent terrain.
Black Marble (Chris Stewart) will release his third album, Bigger Than Life, on Sacred Bones Records this Friday, October 25th. Stewart leans on synth-pop sounds and styles heavily, but the music sounds freshly earnest and eminently tuneful rather than merely derivative. Check out standout songs “One Eye Open” and “Feels,” and then stream the rest, via the Bandcamp embed below.
Black Marble is touring in November (dates below).
BLACK MARBLE – November Tour Dates
Nov 2 Los Angeles, CA SUBSTANCE at the Los Angeles Theater
Nov 5 TUCSON, AZ Club Congress
Nov 7 Austin, TX Levitation at Empire Control Room
Nov 8 Oklahoma City, OK 89th Street
Nov 9 Memphis, TN Hi-Tone
Nov 10 Nashville, TN The Basement
Nov 12 Columbus, OH Ace of Cups
Nov 13 State College, PA Webster’s
Nov 14 Oberlin, OH Oberlin College
Nov 15 Toronto, ON Eisbaer 2019
Nov 16 Montreal, QC Bar Le Ritz
Nov 19 Hamden, CT Space Ballroom
Nov 20 Philadelphia, PA Underground Arts
Nov 21 Baltimore, MD Metro Gallery
Nov 22 New York, NY Bowery Ballroom (Record Release Show) w/ Automatic
Nov 24 Washington, DC Black Cat
Temporary Residence Ltd.
Australian instrumental quintet Tangents return with their fourth album via Temporary Residence. It is their finest work in some time, with an even broader palette of materials and stylistic reference points that are adroitly incorporated. The combination of cello, especially favoring pizzicato, and synth melodies remains, but along for the ride are prepared piano sounds, angular bass interjections, and skittering beats. Electric guitar textures and and undulating patterning are propelled by muscular acoustic drums.
Indebted to post-rock, jazz, alt-electronica, and a dose of contemporary classical sounds, it transcends these various categorizations and their carbon dating to create music that is entirely fresh and of the moment. Recommended.
Korto’s self-titled LP will be released via Six Tonnes de Chair tomorrow. Check out a stream of the recording (and a link to purchase it at Bandcamp) below.
The second collaboration from alt-folk guitarists Bill Mackay & Ryley Walker, SpiderBeetleBee, will be released on October 20th via Drag City. A lovely video below of railway travel in eras past accompanies their song “Lonesome Traveler.” Another track streams, as well as ordering instructions (you will want those), via their Bandcamp page (below).
This October (the 20th to be precise) one of the releases I’m most looking forward to is Nicholas Deyoe’s for Duane (Populist). His second album on the imprint, if features five new, typically audacious, chamber pieces. Check out some streamed selections via the Bandcamp link below. Deyoe also appears on Ashley Walters’ October Populist release, Sweet Anxiety (video below).
Here’s one well worth repeated listenings: TALsounds’ Love Sick (via Ba da Bing). Analog synths, overdubbed voices, and generous melodic writing all mix together in a heady concoction of synths of yesteryear and the live loops of today.
Pianist R. Andrew Lee has released a new EP on Irritable Hedgehog. It is a recording of composer/improviser Ryan Oldham’s Inner Monologues (Venn Diagram of Six Pitches). The hexachord in question is presented in slow-paced fashion, appearing throughout the keyboard in configurations of varying densities. There certainly are links between Oldham and the Wandelweiser Collective and Morton Feldman in terms of the slow unfolding and deft touch with which material is deployed. One also might infer nods to both Linda Catlin Smith and Tom Johnson, the first in terms of a willingness to allow the proceedings simultaneously to drift and grid to an underlying pulse; the second via the process-based treatment of pitch and spacing. Inner Monologues is both an impressive and beguiling work.
As is so often the case, Lee is a dedicated advocate and compelling performer, cannily exploiting the resonance of the instrument, never pushing the proceedings but instead trusting the piano’s decay to be a guidepost, and exhorting the listener to live in the space of that decay far longer than is customary. When I recently heard Lee’s performance of a piece by Jürg Frey at New Music Gathering 2017 in Bowling Green, Ohio, he demonstrated a similar patient intensity that is perfectly suited to experimental and post-minimal repertoire. See and hear him in person when you can. But in the meantime, let his Irritable Hedgehog releases be a valuable stand-in for the live experience.
Lovesick, TALsounds‘ latest recording, is out on June 2nd via Bada Bing Records.