Esa-Pekka Salonen and Yo-Yo Ma: “Playing with Friends” (Video)

I’m very much looking forward to hearing Yo-Yo Ma play Esa-Pekka Salonen’s new cello concerto, which he performs tonight with the New York Philharmonic, conducted by Music Director Alan Gilbert.

Music Sales has shared a group of videos of Ma and Salonen discussing the gestation of the piece (embedded below).

New York Philharmonic Premieres HK Gruber’s Piano Concerto

Hi All. This fell off the blog for some reason. I am re-hosting it today. 

 

New York Philharmonic Premieres H.K. Gruber

New York Philharmonic

Photos: Chris Lee

 

Avery Fisher Hall, New York

January 7, 2017

By Christian Carey

Five Things to Love About the NY Phil’s January 7th Concert

  1. Kurt Weill’s Kleine Dreigroschenmusik (Little Threepenny Music) for Wind Ensemble: A truly charming work that also demonstrates the composer’s affinity for early jazz orchestration, Little Threepenny Music showed off the wind section of the Philharmonic at their very best, and it was wonderful to hear banjo in the mix. Mack the Knife alone is worth many three-pennies!
  2. Emmanuel Ax playing H.K. Gruber: As Ax himself admits (see video embed below), his training is classical, not jazz-oriented. That said, he acquitted himself well in the premiere of H.K. Gruber’s Piano Concerto, spinning swinging fistfuls of notes into the air at a nearly relentless pace with his characteristic musicality.
  3. H.K. Gruber’s Piano Concerto: It is audaciously orchestrated, cast for a large orchestra with tons of contrapuntal imitation thickening the texture — yet somehow the piano comes through in brilliant fashion. There are elements of Weill’s early jazz, notably “shimmy music” from his opera Tales from the Vienna Woods. But the piece contains an even more pronounced strain of modern jazz: one could imagine the late Eric Dolphy fitting right in, taking a seat among the winds.
  4. Thoughtful programming: H.K. Gruber has performed works by Kurt Weill as a chansonnier. Schubert’s early Second Symphony hasn’t been performed since Kurt Masur was Music Director of the NY Phil (I saw that performance too; more about it momentarily).
  5. Alan Gilbert conducting Franz Schubert: When I heard Masur’s performance of Schubert’s Second Symphony in 1994, I was convinced that the teenage composer had the capacity to be a proto-Brahms with high Romantic spirits. Gilbert’s interpretation of the piece stands in stark contrast. It is much quicker, putting the strings through fleet-footed paces and distilling Schubert’s admiration for Mozart into each of the work’s movements. I wouldn’t want to be without either rendition, and am grateful to have heard them both. That said, January 7th’s masterful performance is just going to make me miss Alan Gilbert at the helm of the NY Phil even more.

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This Week: The NY PHIL Biennial Begins!

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On Monday, May 23rd, with a performance by JACK Quartet at the 92nd Street Y, the New York Philharmonic’s second Biennial begins. Running until June 11th, a plethora of concerts are contained in this year’s offerings. Last week, Music Director Alan Gilbert outlined some of them at an “Insights at the Atrium” event. You can watch a video of it below.

 

On Tuesday, May 24th, Q2 whets listeners’ appetites for the Biennial with a 24-hour marathon devoted to the NY PHIL. Hosted by composer Phil Kline, it features recordings from the orchestra’s archive and record label. At 7 PM, there will be a live broadcast from National Sawdust of violinist Jennifer Koh playing from her Shared Madness commissioning project.

A few other events that I’m particularly enthused about:

Cheering for the home team, the Orchestra of the League of Composers/ISCM, conducted by Louis Karchin, presents a concert on June 1st at Miller Theatre with works by Huck Hodge, Felipe Lara, Paul Moravec, and Charles Wuorinen. 

On June 2-4, a staging of Gerald Barry’s The Importance of Being Earnest will be given as part of the NY PHIL’s Contact! series.

Cellist Jay Campbell curates Ligeti Forwarda series of three concerts on June 3-5, performed by alums of the Lucerne Festival, conducted by Gilbert. Using György Ligeti as a starting point, the concerts incorporate a number of composers who have been influenced by his work, including Unsuk Chin,Marc-André Dalbavie, Gérard Grisey, and Alexandre Lunsqui.

On June 8, the Aspen Contemporary Ensemble  performs a program that features the NY Premiere of Steven Stucky’s composition for tenor and ensemble The Stars and the Roses. A setting of three Czeslaw Milosz poems, the affirming character of both the words and music of this piece are made even more poignant by the composer’s recent passing. The concert also includes NY premieres of works by Esa-Pekka Salonen and Stephen Hartke. 

On June 9th, Brooklyn Youth Chorus, San Francisco Girls Chorus, and Brooklyn Knights join forces on two programs that feature pieces by, among others, Lisa Bielawa, Theo Bleckmann, Philip Glass, Aaron Jay Kernis, Carla Kihlstedt, Nico Muhly, and Caroline Shaw.

There’s more Stucky on the Biennial’s finale on June 11th; a concert given by the Philharmonic features the New York premiere of his Pulitzer prizewinning Second Concerto for Orchestra. Also on the program is the cello-filled Messagesquisse by Pierre Boulez and the U.S. Premiere of Per Nørgård’s Symphony No. 8.