The Danish String Quartet is best known for their insightful interpretations of classical and contemporary repertoire. For instance, a 2016 CD for ECM Records presented early works by Ades, Norgard, and Abrahamsen to widespread acclaim. However, back in 2014, the quartet had a best seller on Da Capo, Wood Works, that consisted of arrangements by its members of Scandinavian folk tunes. In 2017 they released Last Leaf, another album of these arrangements and original compositions for ECM.
Last Leaf is in many ways even more successful than Wood Works. The arrangements by the Danish String Quartet’s various members are more sure-footed and varied in ensemble deployments. ECM’s sonics are, as usual, top notch, and the space chosen for the recording, a Danish museum, provides exemplary chamber acoustics. In addition, the group has combined classical and folk dances in adroit ways in several places. One of the most fetching and memorable of these is “Nadja’s Waltz” by cellist Fredrik Schøyen Sjölin. Another is “Shine No More,” a reel-like tune by violinist Rune Tonsgaard Sørensen. “Polska from Dorotea,” an arrangement by the full quartet is a wonderful blend of contrapuntal writing and boisterous dance music. Sumptuous sonorities populate the ballad-like “Now Found is the Forest of Roses,” a poignant album closer.
Often, string quartets rely on their creativity to provide impetus for interpretation. It is gratifying hear a group that is as interested in the acts of creating arrangements and compositions as it is in providing stalwart renditions of preexisting music. Recommended.
This October (the 20th to be precise) one of the releases I’m most looking forward to is Nicholas Deyoe’s for Duane (Populist). His second album on the imprint, if features five new, typically audacious, chamber pieces. Check out some streamed selections via the Bandcamp link below. Deyoe also appears on Ashley Walters’ October Populist release, Sweet Anxiety (video below).
On February 12-14 and February 19-20, ECCE Ensemble premieres Switch, a new opera by my friend and colleague composer John Aylward. Directed by Laine Rettmer and conducted by Jean-Phillipe Wurtz, the piece features two vocalists: soprano Amanda DeBoer Bartlett and bass-baritone Mikhail Smigelsk. The project is part of ECCE’s year-long residence at Le Laboratoire,a new multimedia space in Cambridge that combines visual arts, music, the sciences, and even olfactory stimulating exhibits.
To whet your appetite, below is a video of Aylward’s Ephemera.
WHAT: World premiere of the contemporary opera Switch
WHEN:February 12-14+ February 19-20 at 7:00 p.m.
WHERE: Le Laboratoire, 650 East Kendall Street, Cambridge, MA,
Franklin Cox is an indefatigable and prolific figure, both as a performer and as a musicologist. This, the second volume in his “New Cello” series, focuses on European composers. Using Klaus Huebler’s Opus Breve as a refrain, this rondo of nine performances encompasses a great deal of what’s happening in second modernity. Particularly fine are the brief but richly detailed Dove’s Figary of Michael Finnissy, Richard Barrett’s 2-bowed essay Dark Ages, and Claus-Steffen Mahnkopf’s La vision d’ange nouveau. The latter piece is based on an essay by Walter Benjamin written in response to a work by Paul Klee. It is not only rich in literary allusions, but multifaceted in its musical reference points as well, ranging from hyper-virtuosity to string effects to linear and rhythmic polyphony. Cox makes these pieces sound, well not easy, exactly, but more attainable than they truly are by lesser cellists. Still, if that helps them to secure a foothold in the contemporary cello repertoire, even with many hours spent in the practice rooms to obtain it, so much the better.
To celebrate the Righteous Girls’ CD Release for ‘gathering blue’ (New Focus Records), on which is my composition “For Milton,” we are having a special sale on the site. All score PDFs are half price. Those of you who are choral directors planning your seasons may want to be special attention: every copy you order of one of my anthems or motets with be 50% off.
A new release to which I would draw your attention is the compilation of “Seven Magnificat Antiphons.” Based one each on the verses of “O Come Emmanuel.” These pieces are ideal for Advent observances. During the sale, you will get seven pieces for ten dollars.