Kronos at Carnegie Hall

KRONOS QUARTET
Photo: Steve J. Sherman

 

Kronos Quartet

Carnegie Hall – Zankel Hall

Saturday, February 11, 2017

Christian Carey

 

Six Things to Like About Kronos at Carnegie Hall

 

  1. Fifty for the Future Commissioning Project — Kronos used Saturday February 11th’s concert to showcase some of the early entries in their “Fifty for the Future” project. Not only is Kronos recording all of the pieces for young quartets to hear; their website also includes free to download PDFs of scores and parts. Thus, they are creating a new repertory for quartets eager to learn about contemporary music.
  2. Garth Knox — Some of the pieces, such as renowned violist Garth Knox’s “Dimensions” from Satellites, take on a didactic function. Knox features all manner of bowing techniques, including the surprisingly potent hissing sound of “air bowing.” It is a piece that is a catalog of special effects, but they are organically incorporated and the music is a brisk tour: it doesn’t overstay its welcome and stretch one’s appreciation of its charms.
  3. Malian percussionist Fode Lassana Diabate’s Sundata’s Time: The master balafonist joined Kronos onstage for the first completed “Fifty For the Future” composition: Sundata’s Time. Each movement spotlighted a different instrument, along with a few extra cadenzas for balafon thrown in. These were most welcome. Diabate plays with an extraordinary grace and fluidity that not only was stirring in its own right, but brought out a different character entirely in Kronos’s playing. It was a most simpatico collaboration.
  4. Kala Ramnath’s Amrit contains major scale ragas that craft a poignantly stirring work combining Eastern and Western gestures in a bold attempt to bring the two hemispheres’s musical traditions together.
  5. Rhiannon Giddens’s At the Purchaser’s Option brought blues and roots music to the fore, genres that Kronos has played eloquently since their inception. Perhaps the most attractive piece on the program in terms of musical surface, its message went deeper, serving as a sober reminder of slave trade in 19th Century America. Giddens has a new Nonesuch CD out this coming Friday, titled Freedom Highway.
  6. If Giddens’s piece was the most attractive on a surface level, Steve Reich’s Triple Quartet remained the weightiest in ambition and most thoroughly constructed of the programmed works. Written for Kronos, it features two virtual quartets on tape that accompany the live musicians (Kay and I are lobbying for more live performances of all three quartets, as that would really be something!). Overlapping ostinatos and stabbing melodic gestures provide a serious demeanor that resembles another piece played by Kronos with tape (of human voices): Different Trains. The rhythmic contours and syncopations provide ample amounts of challenges, but Kronos played seamlessly with the avatar-filled tape part. While “Fifty for the Future” is an important mission for Kronos, it is also heartening to hear some of their older repertoire being revived. The encore for the concert: an arrangement of “Strange Fruit,” the jazz protest song made famous by Billie Holiday.

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Gidon Kremer at McCarter

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Gidon Kremer and Kremerata Baltica

McCarter Theatre Center

Friday, February 3, 2017

By Christian Carey

 

PRINCETON – I’ve wanted to hear violinist Gidon Kremer perform Estonian composer Arvo Pärt’s iconic work Fratres live since I was a teenager. Back then, Kremer’s rendition of the work on an ECM Records New Series CD was transfixing and game changing: it became an almost totemic art object for me as a composition student. On February 3rd, I got my wish at McCarter Theatre in Princeton. Unlike the recording, here Kremer pushed the proceedings forward, taking a quicker tempo and engaging in more taut phrasing than he did on the CD. The work is still transfixing, but it was moving to hear its story retold in a new way.

 

Kremer and Kremerata Baltica, the chamber orchestra of Eastern European musicians that he leads, have a new ECM CD out, this one of the Chamber Symphonies of Mieczysław Weinberg, late works that sit astride Mahlerian late Romanticism and modernism that is a close cousin to the works of Shostakovich. Clarinetist Mate Bekavac, who also appears on the recording, was a sterling-toned soloist, unwinding breathless phrases and coordinating and blending seamlessly with the strings.

 

The second half of the concert had an interested concept that provided a bit of dramatic flair. Kremer began it with Tchaikovsky’s Serenade Melancolique, leaving the stage on the last note, which led directly into Kremerata Baltica’s rendition of Mussorgsky’s Pictures at an Exhibition. This was resolutely played, but the absence of brass and winds led to some strangely attenuated passages (Andrei Pushkarev, a percussionist, performed formidable gymnastics to reach all of the score’s instruments). At the piece’s conclusion, Kremer returned to the stage, playing Valentin Silvestrov’s solo Serenade nearly attacca.

 

There were yet more surprises to come. Two encores, Stankovich’s Lullaby and Alfred Schnittke’s Polka gave the audience distinct flavors of music-making – one poignant and one buoyant – to send them home.

 

This is Kremer’s seventieth birthday year. To celebrate, he has not only released the Weinberg disc on ECM, but has also recorded Rachmaninov’s Piano Trios and the Philip Glass’s Violin Concerto (available on vinyl!) for DG.

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Jens Lekman: “What’s That Perfume You Wear?” (Video)

Jens Lekman Photo: Ellika Henrikson
Jens Lekman
Photo: Ellika Henrikson

Jens Lekman has announced his new album, Life Will See You Now, will be released on February 17th via Secretly Canadian. He’s shared a video of the leadoff single, “What’s That Perfume You Wear?” and is touring in support of the recording, both in the United States and Europe (dates below).

 

Jens Lekman Tour Dates
Thu. Feb 23 – Houston, TX @ White Oak Music Hall (Downstairs)
Fri. Feb 24 – Austin, TX @ The Mohawk
Sat. Feb 25 – Dallas, TX @ Club Dada
Mon. Feb 27 – Los Angeles, CA @ Teragram Ballroom
Tue. Feb 28 – San Francisco, CA @ The Independent
Fri. Mar. 3 – Portland, OR @ Revolution Hall
Sun. Mar. 5 – Seattle, WA @ Neumos
Wed. Mar. 8 – Minneapolis, MN @ Fine Line Music Cafe
Thu. Mar. 9 – Chicago, IL @ Metro
Fri. Mar. 10 – Columbus, OH @ Wexner Center for the Arts
Sat. Mar. 11 – Detroit, MI @ Magic Stick
Mon. Mar. 13 @ Toronto, ON @ The Great Hall
Wed. Mar. 15 – Boston, MA @ Brighton Music Hall
Thu. Mar. 16 – Washington, DC @ U Street Music Hall
Fri. Mar. 17 – Philadelphia, PA @ Union Transfer
Sat. Mar. 18 – New York, NY @ Bowery Ballroom
Sun. Mar. 19 – Brooklyn, NY @ Music Hall of Williamsburg
Tue. Mar. 28 – Dublin, IE @ Whelans
Wed. Mar. 29 – London, UK @ Oval Space
Thu. Mar. 30 – Leeds, UK @ The Brudenell Social Club
Fri. Mar. 31 – Manchester, UK @ Band on the Wall
Sat. Apr. 1 – Glasgow, UK @ St. Luke’s Church
Mon. Apr. 3 – Stockholm, SE @ Vasateatern
Tue. Apr. 4 – Uppsala, SE @ Uppsala Konsert & Kongress
Wed. Apr. 5 – Malmo, SE @ KB
Thu. Apr 6 – Copenhagen, DK @ Studie 2
Fri. Apr. 7 – Orebro, SE @ Orebro Concert Hall
Sat. Apr. 8 – Gothenburg, SE @ Pustervik
Sun. Apr. 9 – Oslo, NO @ John Dee

Marvin’s Marathon

vivala21stcentury2016

Our pal Marvin Rosen says: “I am all packed and ready to leave home for WPRB. In a little over an hour, the 2016 VIVA 21ST CENTURY PLUS – “INTERNATIONAL EDITION” – 25-HOUR LIVE WPRB RADIO BROADCAST – goes on the air.
Hope that you can join me for at least for parts of program and please keep me awake at least over night. You can contact me on Facebook, Twitter @MarvinRosen or just call: 609.258.1033
On WPRB 103.3 FM Princeton NJ, or on the Internet at: http://wprb.com/

My piece, Quintet 2, will be featured around 3 PM. Hope you’ll tune in!

Norman Lebrecht on Westminster Choir College

Thanks to arts journalist Normal Lebrecht for bringing attention to our current plight at Westminster Choir College.

Here is an article from the Rider News, to be taken with a grain of salt. More information at NJ.COM, the Princeton Packet, and Planet Princeton.