Amanda Palmer and Rhiannon Giddens: “It’s a Fire”

Amanda Palmer and Rhiannon Giddens have collaborated on a cover of Portishead’s “It’s a Fire,” which you can hear via Bandcamp (embed below). Proceeds from the single benefit Free Black University.

CageConcert: an Interview with Philip Thomas

Interview: Philip Thomas Launches Cageconcert By Christian Carey Pianist Philip Thomas is a prolific artist. A member of Apartment House, he recently participated in their recording of Ryoko Akama’s compositions for Another Timbre. Also on Another Timbre is Thomas’s gargantuan CD set of piano music by Morton Feldman, which includes several previously unreleased pieces. TwoContinue reading “CageConcert: an Interview with Philip Thomas”

Urban Playground Premieres Florence Price

On Wednesday May 8th, Urban Playground Chamber Orchestra presents the New York premiere of Florence Price’s Violin Concerto No. 2, music by Harry T. Burleigh,  and a rarely heard oratorio, And They Lynched Him on a Tree, by William Grant Still. The program, titled From Song Came Symphony. fits the ensemble’s mandate to prioritize theContinue reading “Urban Playground Premieres Florence Price”

BMOP: an Interview with Gil Rose

Gil Rose directs the Boston Modern Orchestra Project, or BMOP. The orchestra’s in house label, BMOP/Sound, has released a spate of vital CDs of American music. I recently interviewed Rose about recordings already released on the label and a preview of the rest of 2018’s live and recorded events.   In recent years, BMOP has released several recordings thatContinue reading “BMOP: an Interview with Gil Rose”

Two New Feature Articles

Two articles I wrote over the summer are finally out. My interview with New York Polyphony has been published in the latest issue of Early Music America.  An article on mentorship in music, which includes interviews with Fred Hersch, his student James Shipp, and James’s student Ian Burroughs, has been published in Carnegie Hall’s 125th Anniversary Magazine, Beyond the Stage (read here).  

Interview: Julia Adolphe

This week, The New York Philharmonic premieres their second commission by composer Julia Adolphe. The first, 2016’s Unearth, Release, was a warmly received viola concerto for Philharmonic Principal Violist Cynthia Phelps. The latest, White Stone, will be premiered July 26th as part of the orchestra’s Bravo! Vail series in Colorado. I recently had a chance to catch up with Adolphe about both of these collaborations,Continue reading “Interview: Julia Adolphe”

Thursday: Sarah Cahill plays Harrison at LPR

Pianist Sarah Cahill appears at LPR on April 6th at 7 PM as part of her tour celebrating the music and birth centenary of composer Lou Harrison. She and I touched base earlier this week as she was preparing for her trip to the Northeast.   Hi Sarah. Thanks for taking time to talk withContinue reading “Thursday: Sarah Cahill plays Harrison at LPR”

Friday: Ueno Opera at Sawdust

At National Sawdust on Friday April 7th at 7 PM, Opera Cabal presents the premiere of Ken Ueno’s new opera Aeolus. Joined by vocalist Majel Connery and Flux Quartet, Ueno performs throughout the opera. His fascinating blend of vocal techniques includes microtonal inflections, megaphone-amplified directives, and throat-singing. Electronics, video projections, and an architecturally conceived set design converge to make Aeolus a potent multimedia concoction. I recently caught upContinue reading “Friday: Ueno Opera at Sawdust”

Interview: Sofia Gubaidulina with the BSO

This week, Andris Nelsons and the Boston Symphony Orchestra visit Carnegie Hall for performances from February 28th through March 2nd. They feature the New York premieres of two works. On February 28th, Russian composer Sofia Gubaidulina’s Triple Concerto for violin cello and bayan, featuring violinist Baiba Skride, cellist Harriet Krijgh, and bayan player Elsbeth Moser,Continue reading “Interview: Sofia Gubaidulina with the BSO”