Amazing what you uncover on Google Books. A review of Cassatt String Quartet, with guest cellist Christopher Finkel, premiering my String Quartet (1999) at June in Buffalo.
“Christian B. Carey’s String Quartet (1999) is a rare effort to draw from jazz’s rhythmic style while applying an apparent serial language. The general depiction of jazz as a traditional palette (swinging, improvised-like solos) with tongue-in-cheek titles (‘Bebop a Lulu,’ ‘Elegaicism’ and ‘Lulu Redux’) makes for easily enjoyable music. Certainly the resultant serial sonorities have their own oddly saucy flavor, but all the more teeth for one’s wit.” – New Music Connoisseur, Volume 7, pp. 49.
This week I am posting recordings from a May 2016 recital that was performed at All Saints’ Church in Princeton, New Jersey. Organized by soprano Sara Noble and the Contemporary Undercurrents of Song Project, it was given for me after I returned home last Spring from having cancer surgeries in Nashville. It was the most thoughtful musical homecoming a composer could experience.
Below are two live recordings from the event: You may check out my Soundcloud page for addition selections. The first is a duo version by Sara and mezzo-soprano Megan Ihnen of my Psalm 103 setting.
The second has often been performed but never before recorded in its entirety – the piano-vocal version of my Three Kenyon Settings, performed by Megan and pianist Graeme Burgan. (Singing cellist Jody Redhage commissioned the set for herself to perform and made a recording of one of the songs, “Otherwise,” that you can also hear on Soundcloud.
Dark times: I’ve seen them aplenty and they no longer daunt me (for long). We will get through this dark time stronger, more alert, and more passionate than ever about how the arts matter to society. Move towards what you love: it will sustain you.