New York Philharmonic Premieres HK Gruber’s Piano Concerto

Hi All. This fell off the blog for some reason. I am re-hosting it today. 

 

New York Philharmonic Premieres H.K. Gruber

New York Philharmonic

Photos: Chris Lee

 

Avery Fisher Hall, New York

January 7, 2017

By Christian Carey

Five Things to Love About the NY Phil’s January 7th Concert

  1. Kurt Weill’s Kleine Dreigroschenmusik (Little Threepenny Music) for Wind Ensemble: A truly charming work that also demonstrates the composer’s affinity for early jazz orchestration, Little Threepenny Music showed off the wind section of the Philharmonic at their very best, and it was wonderful to hear banjo in the mix. Mack the Knife alone is worth many three-pennies!
  2. Emmanuel Ax playing H.K. Gruber: As Ax himself admits (see video embed below), his training is classical, not jazz-oriented. That said, he acquitted himself well in the premiere of H.K. Gruber’s Piano Concerto, spinning swinging fistfuls of notes into the air at a nearly relentless pace with his characteristic musicality.
  3. H.K. Gruber’s Piano Concerto: It is audaciously orchestrated, cast for a large orchestra with tons of contrapuntal imitation thickening the texture — yet somehow the piano comes through in brilliant fashion. There are elements of Weill’s early jazz, notably “shimmy music” from his opera Tales from the Vienna Woods. But the piece contains an even more pronounced strain of modern jazz: one could imagine the late Eric Dolphy fitting right in, taking a seat among the winds.
  4. Thoughtful programming: H.K. Gruber has performed works by Kurt Weill as a chansonnier. Schubert’s early Second Symphony hasn’t been performed since Kurt Masur was Music Director of the NY Phil (I saw that performance too; more about it momentarily).
  5. Alan Gilbert conducting Franz Schubert: When I heard Masur’s performance of Schubert’s Second Symphony in 1994, I was convinced that the teenage composer had the capacity to be a proto-Brahms with high Romantic spirits. Gilbert’s interpretation of the piece stands in stark contrast. It is much quicker, putting the strings through fleet-footed paces and distilling Schubert’s admiration for Mozart into each of the work’s movements. I wouldn’t want to be without either rendition, and am grateful to have heard them both. That said, January 7th’s masterful performance is just going to make me miss Alan Gilbert at the helm of the NY Phil even more.

_u7a6531sm

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s