Cloud-Polyphonies; Tongues of Fire
MDR Leipzig Radio Choir; Ear Massage Percussion Quartet, James Wood, conductor; Yale Percussion Group, Robert Van Slice, Director
NMC Recordings CD/DL
Composer/conductor James Wood has long been one of the “go-to” British musicians when it comes to percussion writing. For a number of years, he led Darmstadt’s percussion courses. He’s also organized and led vocal ensembles, notably Schola Cantorum of Oxford and New London Chamber Choir. Thus, his latest CD on NMC, combining voices and percussion ensembles, is a near-ideal way to appreciate his work.
Tongues of Fire is based on the story of Pentecost. Originally composed for Yale’s Glee Club, the piece brings out a Pan-American sensibility in Wood’s writing. The voice parts, impressively performed here by the MDR Leipzig Radio Choir, are in South American Spanish dialect. Correspondingly, the percussion parts feature salsa and other Latin rhythms. While the trip from Connecticut to South America seems a long one, the overall effect achieved here is stirring.
The second work, Cloud-Polyphonies, written for the Yale Percussion Group, is based upon various cloud-like formations. In the first movement, wooden instruments replicated the cries and flight of starlings. The second movement features metallophones creating mysteriously floating cloud-like formations. The finale, for over sixty drums, builds a thunderous buffalo stampede.
Tongues of Fire is led by Wood; Cloud-Polyphonies by Yale’s Director of Percussion Studies Robert Van Slice. Both do an admirable job with challenging pieces. As a composer, Wood not only has chops to spare. His aesthetic is an imaginative and purposeful one, which helps the listener to find compelling through-lines in each of his works.