Jürg Frey – Portrait CD (review)

Jürg Frey

Musiques Suisses CD

Mondrian Ensemble

Daniela Müller, violin; Petra Ackermann, viola; Karolina Öhman, cello; Tamriko Korsaia, piano

Konus Quartet

Fabio Oerhli, Jonas Tschanz, alto saxophones; Christan Kohi, tenor saxophone; Stefan Rolli, baritone saxophone, alto saxophone

Jürg Frey, famous as a member of the Wandelweiser Collective, is given an excellent portrait CD on the Musiques Suisses imprint. Memoire, horizon for saxophone quartet is the longest piece on the disc, clocking in at a little over half and hour. It features sustained lines for saxophone, gradually shifting from consonant verticals to chords with added dissonant notes that spice up the proceedings.

Six pieces on the program are from the Extended Circular Music series. The chordal structures here are often more consonant, but there still is a slow moving pace to the proceedings. That said, the sounds never fully die away; there isn’t the kind of space for silence that one hears in some other composers’ music. Instead, chords gently saturate the sound space, treading evenly without a sense of dynamically articulated direction. It is hard to select standouts, as these feel “of a piece,” but I am quite fond of Extended Circular Music No. 2, for solo piano; it has some beautiful sonorities.

The second longest piece on the disc, Architektur der Emfindungen, for piano quartet, once again finds the piano initially taking the lead, providing upper register melodies and repeated notes while the strings supply undulating lines and chordal accompaniment. Eventually, roles reverse, and the strings get their turn in the lead while the piano plays a chordal accompaniment. By the piece’s conclusion, the transformations in ensemble groupings and instrumental roles have left us amid a panoply of changes in role, direction, and instrumental coloration. A fascinating introduction to a composer with a strong individual voice.

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