The Song of the Stars
British Music for Upper Voice Choir
Naxos CD 8.573427
Wells Cathedral School Choralia, conducted by Christopher Finch; Eleanor Turner, harp; Elliot Launn, piano
Occupying as it does an important niche in choral literature, the CD Song of the Stars demonstrates the vitality and importance of Naxos Records’s “no stone left unturned” recording ethos. Apart from A Ceremony of Carols, A Survivor from Warsaw, and a few other well known works, many often think of SATB – soprano, alto, tenor, bass – groupings as the default vocal ensemble for which truly meaningful choral literature is created. Here we find a number of gems for upper voices – many of them in their debut recordings – that provide a strong case for inclusivity.
The program contains well known composers such as Gustav Holst, James MacMillan, and John Tavener, who rub elbows with some of the finest contemporary British composers: Paul Mealor, Tarik O’Regan, and James Whitbourn. A find for me was the music of Cecilia McDowall (b. 1951), represented on the disc by her Regina Caeli. The piece alternates lustrous polychords with sprightly counterpoint in an attractive blend of elements that makes me want to delve deeper into McDowall’s output. There are also works by composers familiar to me, such as O’Regan’s Alleluia, Iaus et gloria, that are impressive compositions made even more appealing by their authoritative performances.
This is the recording debut of the Wells Cathedral School Choralia. Conducted by Christopher Finch, this is a fine group that demonstrates strong technical skills, beautiful tone, and excellent musicality throughout Song of the Stars. Indeed, the title work, composed by former King’s Singers member Bob Chilcott, has a perilously demanding tessitura that conventional wisdom would suggest disqualifies some groups from attempting it. The Wells Choralia make it sound eminently attainable. One hopes that conductors and composers take a careful listen to this CD. It provides many ideas for possible programming and the creation of new works for upper voice ensembles. Recommended.