New World Records
What if one wanted to focus on the contemplative nature of mythology’s Furies instead of their ferocity? They might want to hear Arthur Levering’s The Furies. Sequitur’s performance of the piece, conducted by Paul Hostetter, presents layers of counterpoint and corruscating lines with enviable clarity and precision. There are occasional eruptions, but one is more struck by the piece’s unerring pacing than any brash moments that ensue. Boston Modern Orchestra Project, conducted by Gil Rose, give Il Mare Dentro a similarly detailed reading. Once again, Levering opts for a slow build with a gradual accumulation of material, much of it resonant with aquatic imagery: there’s even a sly quote of Debussy’s La Mer towards the work’s conclusion.
Four Drinking Songs is Levering at his most minimal. Harp and piano ostinatos accompany mezzo-soprano Krista River, whose warm tone and clear diction brighten the proceedings, on a multilingual tour of intoxication. The two-piano piece Partite sopra Ciaccona is more portentous in demeanor, but no less attractive than the larger works. Levering deploys a rich harmonic palette and supplies pianists John McDonald and Donald Berman with virtuosic passages a plenty to play. BMOP returns for the title work, which features its string section in a wide ranging theme and variations that combines soaring lines with a dissonant chordal sonorities. Once again, one hears frequent post-minimal ostinatos propelling the piece, but they are just part of a larger stylistically diverse tapestry that also encompasses post-tonal thinking, abundant counterpoint, and a postmodern sensibility. Levering is a talented composer whose works should be much better known. Hopefully this excellent disc will help.